Singin’ in the Rain
is widely considered as one of the greatest Hollywood musicals of all time. The
film did a great job of living up to such high esteem. The competition, such as
West Side Story, Wizard of Oz, and the contemporary High
School Musical, pales in comparison. Everything about the musical
production was enchanting and pure.
The
actors proved to be valuable assets to the film. The production had four stars:
Gene Kelly, Debbie Reynolds, Donald O’Connor, and Jean Hagen. Gene Kelly proved
to be an invaluable asset because he was the choreographer, co-director, and
actor. Kelly’s singing, dancing, and choreography was flawless. He also gave an
outstanding acting performance, in which he portrayed Don Lockwood, a silent
screen hero. Debbie Reynolds brought the quirky, cute, and intellectual Kathy
Sheldon to life. With her wonderful voice and excellent dancing, Reynolds
seemed like she was born to play the role of Kathy Sheldon. In comparison,
O’Connor (Cosmo Brown) also gave an excellent performance. Likewise, O’Conner
created a goofy, amusing musical director whom the audience grows to love.
Lastly, Jean Hagen’s contribution to the film was also significant. Without her
amazing voice, the squawky-voiced silent film queen, Lina Lamont, would not be
portrayed accurately. Without a central “villain,” the film would be
incomplete.
The
most understated part of this film is its comedic aspect. When Singin’ in
the Rain is discussed, people often compliment the musical numbers and the
actor’s various skills, but people usually fail to acknowledge the humor in the
movie. The wit of screenplay should not be underestimated. There are a number
of hilarious moments. For example, the moments in which the director’s
frustration is evident due to microphone issues were hilarous. The dialogue
also contains several astonishingly amazing lines. For example, Cosmo describes
Lina in the following line, "She can't act, she can't sing, she can't
dance. A triple threat."
Lastly,
the twelve songs in the movie were surprisingly not corny and banal. Instead, they
were fresh, original, and unique. “Good Morning” made the audience want to
perform the number at one o’clock in the morning. It almost hypnotized the
audience to do such things because it had a happy, upbeat, and catchy tone that
proved to be irresistible. In contrast, songs such as “Singing in the Rain” and
“You Were Meant For Me” were touching because songs like
these celebrate pure and unadulterated love between two individuals. Other
numbers were captivating and amusing to watch such as O'Connor’s “Make ‘Em
Laugh” and Kelly’s and O’Conner’s “Moses.” O’Conner’s “Make ‘Em Laugh” was
incredible because it looked unexaggerated and it
appeared to be made up on the spot even though as an audience it is obvious
that it is not. "Moses Supposes," with O'Connor and Kelly dancing on
tabletops, also seems that way. Both numbers exhibit humor, while displaying
great choreography and dancing prowess.
The
actors, comedic screenplay, and music is what truly proves Singin’ in the
Rain as the best Hol
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